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What’s the focal point? Bring your Bathroom alive!

I was asked to contribute once more to Utopia Kitchen and Bathroom magazine (November print edition), providing expert commentary on creating a focal point in the Bathroom. I find that Bathrooms can often appear flat or lifeless because the dominant colour in them is white, while textural variety and pattern are often missing. With this in mind, I suggest ways to create interest and inject personality into a Bathroom through tiles, basins, taps, lighting and more.

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Colour me happy / A review of Focus/18

A self-confessed colour lover, I could not miss this year’s Focus event at the Chelsea Harbour Design Centre, held as part of London Design Festival. In a departure from the more restained palettes one usually sees at DCCH, the event’s theme of colour was a welcome one, and very much in tune with current trends. The place felt all-round upbeat and vibrant.

In my book, the inspiring and thought-provoking talk and seminar programme was a real highlight this year. Far from treating colour as something shallow and two dimensional, I found that the discussions were primarily focused on colour’s deeper properties, such as its ability to influence mood, tell a story or channel energy. It is this that I felt really struck a chord with many of the visitors.

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International artist Moritz Waldemeyer’s specially commissioned installation was one definite talking point. A 12-metre walkway, lit up on both sides by LEDs that change colour according to the fabrics or surfaces placed underneath a connected lamp/scanner device, became an immersive envelope and a welcome break from the hustle and bustle elsewhere.

Firstly, it was impressive to experience the dramatic shift in mood and atmosphere of the space that occured by making just one change: using a different colour of light. Secondly, the effects of varying the combinations of lights used and their proportion were equally intriguing and eye-opening. This is not something we generally encounter in our daily lives, because light is mostly of a single (predictable) colour. It need not be, and the effects created by layering different colours of light can be unexpected and powerful. The beauty is this. Whereas painted or papered surface finishes are of a fairly permanent nature, those created by light effects are temporary and flexible.

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Fabric and paper samples to choose from to be projected onto walls in Moritz Waldemeyer’s interactive installation.

At the showrooms, the conversations covered a wide range of topics within the realm of colour in interiors. Too many to describe each in detail, I highlight below a few that I found particularly fascinating.

There was a discussion at the Style Library about a less well-known side to William Morris’ work. Looking at designs that were based on his Icelandic expedition (who knew); and with an emphasis on how the colours of this unusual landscape affected him as well as what he felt when he saw then. An early study into colour psychology then…

Creation Baumann invited a designer in to give an introduction to biophilia (you guessed it, green is a biggie here). Harleen McLean delved into various aspects of designing spaces with people’s wellbeing in mind. No surprises here: the materials and colours around us can have a big impact on how we feel (leading us to be stressed/relaxed/calm/moody…you name it). I could not agree more, and have written on this myself in Utopia Kitchens and Bathrooms Magazine.

The Romo showroom introduced a new children’s collection at Villa Nova, in collaboration with three renowned children’s book illustrators. Moving away from cliche baby pinks and blues, the designs were oozing with colour, positive vibes, nature and a real sense of diversity. What an inspirational and unexpected space these can turn into for some lucky kid.

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Christopher Corr’s designs as part of Villa Nova’s new Picturebook collection 

Back at Style Library, Sophie Robinson offered a fascinating take on how she approaches colour decisions, by categorising individual colours into groups by season. While not something I practice, I have to agree there is a logic to this that seems very natural (I suppose that is the idea!) It is true that following nature’s clues in colour decisions results in harmonious spaces, and it is hard to go wrong.

This year in particular, I have increasingly been immersing myself in the deeper aspects of Interior Design; those discussions, elements and decisions that lie behind what we actually see in an interior. I therefore really enjoyed the debates that took centre stage at Focus/18; from the way we look at colour and interact with it, to the action of immersing oneself in colour, and ways to boost one’s health and wellbeing with the help of colour.

Colour is truly an amazing tool in an Interior Designer’s arsenal, and there are few other means to create such wonderfully personalised spaces. Every person and space has a story. Colour plays a big part in telling that story through an interior.

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The colour wheel. While a helpful tool, it is no more than an aide in colour decisions. Source: https://npgshop.org.uk/products/pocket-colour-wheel

 

 

Feeling Playful? Kitchen and Bathroom Ideas

I was asked to contribute a piece for Utopia Kitchen and Bathroom Magazine’s September print edition on colourful and cheerful design inspiration for Kitchens and Bathrooms. If like me, greige leaves you feeling a little bit flat, you can read my practical suggestions on adding colour and interest to your Kitchen and/or Bathroom, so as to turn it into more of a happy and fun space.

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Health benefits of using natural materials in interiors

When writing, I like approaching a topic within a problem-solution framework. If the problem part of the equation is something people can relate to, then chances are they will read on. For my latest post in Designer Kitchen and Bathroom Magazine I was asked to write about natural materials in interiors. There is an obvious link between natural materials and my very favourite interiors topic – Healthy Spaces – which is what I explore here. The problem I present is poor internal air quality (important, seen as we spend some 90% of our time indoors!)

Natural materials can be a solution. I am ever more convinced that there is more to Interior Design than meets the eye. E.g. such as described in my article, the potential benefits to the health of the users of a space from the materials specified by the designer. Not to mention the principles of the fascinating and inspiring Biophilic design movement, which I am also becoming ever more attuned to. Watch this space!

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Lessons from the Lavatory

I was lucky enough to win a room set design opportunity at Grand Designs Live, the UK’s largest self-build and home improvement event, held last week at the ExCel in London. The brief was to design a downstairs toilet set (The Lavatory Project – “Design by You”, so I went all-out Bright Designs…) 

Now I realise that designing toilets doesn’t sound terribly glamorous, but I used the opportunity to talk to event visitors about my broader design ethos: MAXIMAL minimalism. It is this idea that I followed when designing the set, and discussed at length with more than 100 people over the course of nine days (no kidding). While I will introduce MAXIMAL minimalism properly in another blog post, this one will give an initial flavour of what it is.

Small spaces, big ideas

Ultimately, I think all of the designers of the lavatory sets at the event were trying to make the same point (even if we all went in wildly different directions with the actual design): you can do a lot with a small space. A number of visitors I spoke to said they are timid when it comes to using colour, pattern, and certainly the two together, in large spaces within their home. My suggestion is far from rocket science – try things out in a small space first! The very downstairs loo is a good place to start – often whitewashed, left for last or simply ignored. Why not try something bold instead, put your stamp on it and show your personality. See how you go; you may just discover a whole new dimension to decorating. It’s a tiny space, no one will judge you.

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The Lavatory Project at Grand Designs Live 2018, by Bright Designs

 

Embrace colour

The dominant colours in my scheme were turquoise blue and orange verging on red. These are complementary colours that will work together fantastically the vast majority of the time. If in doubt, consulting the colour wheel is always a good starting point. That’s not to say that other schemes don’t work, but it is certainly a useful tool to refer to if at all you have any doubts. The third colour in my scheme was yellow. Yellow is under-used in interiors in general, and bathrooms in particular. Just six yellow metro tiles, used vertically as a splashback, make a big impact. Working in unison with the splashback are more of the same tiles, used horizontally, as a skirting board. Seriously, which bathroom would you rather walk into on a gloomy winter morning: top-to-toe greige or one in a warm Mediterranean inspired scheme with yellow accents? 

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Dominant colours: turquoise blue and orange verging on red

 

Creative use of familiar products

Talking of metro tiles. These are possibly the cheapest tiles you can buy. More often than not, you will see them used in white, in a brick pattern, alongside white grout. That’s it. A cheap and cheerful look that’s made a bit of a comeback. By using mine vertically as a splashback and horizontally as a skirting board, I was trying to make a point: you can do interesting things with simple products. And yes, yellow and gloss, on turquoise and orange… it sounds like your head should be spinning, but trust me, it works! My favourite simple trick for sexing up metro tiles is using a contrast grout – they come in so many colours nowadays (as do matching silicone sealants) that you are certain to find something you like. 

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Yellow metro tile splashback, alongside some other details of the set (Photo credit: Om Dhumatkar)

Pattern scale

Mixing patterns can be risky business! Well, that’s what many people think, and that’s why very few even attempt it. The good news is, that just like with colours, there are some tricks here too that can be employed for better results. There were two distinct patterns in my toilet scheme: the 1930s suburbia pattern, melancholic and humorous at once, in a warm and uplifting orange colourway (on the wallpaper) and the cool blue and white geometric pattern on the tiles. Why did the combination work? The patterns were of a different scale: small and large, respectively, and therefore did not compete with one another. This is my top tip for mixing patterns: whether there are two or more of them, the key is to vary their scale for maximum impact. I also made a point of taking one of the patterns all the way (the wallpaper covered the three walls of the set, in their entirety); while the pattern on the floor was framed with matching plain white tiles. In my opinion, contrast is key to a successful scheme, and delineating patterns is an easy way to achieve it.

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Large floor tile pattern meets small wallpaper pattern

 

Consider ergonomics

Not the sexiest of topics, but ever so important! A wall-hung vanity unit can be really useful, as it can be hung at a height that is suitable for your exact measurements (doh!) I am fairly short, a number of the show visitors who said that they liked the unit were particularly tall. Forget about the average, design for the exact user of the space. As for my three staggered mirrors – they could be interpreted as a naff attempt at decorating, but actually hanging them this way was a fully intentional decision, driven by practical considerations. All your guests will use your downstairs toilet, and all your guests will be of a different height. Really, the thought process is as simple as that. Another conscious decision was not to place the toilet in the middle of the set (1.2m in width), but on one side. Realistically, the vast majority of us would find it very difficult reaching for the toilet paper otherwise. (I’m sorry, perhaps I’m getting into TOO much detail now!)

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Wall-hung vanity unit and staggered mirrors

Less stuff, more impact

I have saved the best for last, as you do. If there is just one thing you take away from this post, I hope it is this. My MAXIMAL minimalism design ethos amounts to a very simple notion: everything that is in a space is there for a reason (the reason can be functional or aesthetic). My starting point is Scandi-inspired clean and simple lines and planes. Less stuff, clutter and ornament. (This is the minimalist part.) The 3D effect is largely achieved through 2D means: impactful colour, intriguing pattern and thoughtful detail (this is the MAXIMAL part). Nothing trivial here; everything is thought-through and balanced. Be it the vanity with drawers to hide your toiletries in; a vertical radiator to keep the room nice and warm, while barely taking up any space; or an air-cleaning plant for the users’ health and wellbeing – practicality is always my first consideration when designing and decorating. Then comes the visual stuff: pattern, colour, unusual but practical accessories. More thinking, more impact, less stuff… knowing when to stop is key.

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One of the most satisfying things about being an Interior Designer is seeing your work, your creation, come to life. An opportunity to see people react to it in real time, and talk to them about it, is even more amazing. But by far the best is seeing a space that you created put a smile on people’s faces (which is what I got to experience at GDL). Now there’s an idea: creating spaces that put a smile on people’s faces. 

A big THANK YOU to all of the below for their support and/or coverage of the set: Grand Designs Live, Mini Moderns, Walls and Floors, Porcelain Superstore, Trouva, KLC School of Design, Daily Mail, Utopia KB, Good Homes Magazine, House Beautiful, HappilyTaniaChristchurch Creative, Shelan Communications, @odbole, @littleannies_eyes, @leonnaise, @helencooperdesigns …and anyone else who I might have forgotten!

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Last day: shattered but all smiles!